According to Nietzsche, the Apollonian attributes are reason, culture, harmony, and restraint. These are opposed to the Dionysian characteristics of excess, irrationality, lack of discipline, and unbridled passion.
The Apollonian and Dionysian man complete each other in the sense that these two terms create our society. The Apollonian man was given its name from Apollo, the sun-god. He represents light, clarity, and form. The Dionysian man was given its name from the Greek god Dionysus. As the wine-god, he represents drunkenness and ecstasy. The.
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The Apollonian and Dionysian is a philosophical and literary concept, or dichotomy, based on certain features of ancient Greek mythology.Many Western philosophical and literary figures have invoked this dichotomy in critical and creative works. In Greek mythology, Apollo and Dionysus are both sons of Zeus.Apollo is the god of reason and the rational, while Dionysus is the god of the.
Apollonian involves stillness and thinking. Dionysian involves movement, dancing, individual and collective trance and ecstasy. The later sufi works of John Coltrane are a combination of both—works like A Love Supreme and Ascension seek closer union with the Divine.
Abstract: Apollonian, Dionysian and the tragedy in physics education This work investigates a possible extension to physics teaching of the concepts of Apollonian and Dionysian, categories used by.
Abstract This thesis investigates how Friedrich Nietzsche’s two original aesthetic concepts, the Apollonian and the Dionysian, helped to articulate the self-understandings of modern dance and ballet in the writing and choreographic practice, produced between 1900 and 1948, of six key figures in the history of Western concert dance: Akim Volynsky (1861-1926), Isadora Duncan (1877-1927), Mary.
Apollonian definition, pertaining to the cult of Apollo. See more.